Two for the Money, Two for the Show

May 22, 2012 4 comments

This morning has been one of entertainment and revelation, as well as finding two more writers I want to get to know much better now that I know so little about them. Odd phrasing, I know, but true, nonetheless.

I met John Jakesthrough a short article he did for the June issue of The

Cover of "North and South (North and Sout...

Cover via Amazon

WriterMagazine. Though I’ve dabbled in his books, I never stopped to pay attention to the one behind the words. That privilege came with his article.

Jakes talks about how plot, while important, seldom brings someone back for a second reading of a book. Rather, it is a character that calls the reader back for another look into the life represented within the confines of the book’s covers. That reasoning is one I can agree with without reservation.

At fifteen, Louis Bromfield’s marvelous novel “The Rains Came” leaped off the school library’s shelf and into my waiting hands. This story for more mature

Cover of "The Rains Came"

Cover of The Rains Came

audiences both surprised my composition teacher and dismayed her. She felt I wouldn’t be able to grasp the complexity of its story, characters, and plotline at a mere 15 years old.

I devoured this story of colonialist India with it’s coming revolution for sovereignty and its interwoven native characters and English colonials, its love stories—both adulterous and forbidden inter-racial unions, and its political statements. I couldn’t put it down. The depth of the story spoke volumes to me. I wanted more and took the time to find just that.

I went to the public library to find more books by this author. I came away with his Pulitzer winner, “Autumn Leaves” and counted myself fortunate that it was available. I’d discovered a world beyond kid’s literature. I could read something again with the depth and knowledge of Tennyson, Homer, and Shakespeare and get away from what was “acceptable” for my age bracket.

I understood perfectly what John Jakes spoke about. I’ve reread Bromfield’s books half a dozen times since that first introduction. Now I can look forward to reading Jakes’ marvelous volumes of “The Kent Chronicles” and “North and South,” along with anything else I can find.

English: Joyce Maynard at the 2010 Texas Book ...

Once I put way The Writer, I found Canteen Magazine online. I was looking for a new market. I found much more than that. I perused a past issue, while I sorted through the offerings, and came across one of the best writer’s articles I’ve read in months.

Of course, I’d heard of Joyce Maynard but never read her books. There are so many books out there and so little time, I hadn’t yet come to hers; a situation about to change soon.

In her article A Storytelling Life, October 3, 2011, (from Issue Two), Joyce talked of her mother and the early training in storytelling that she obtained by continual exposure. Joyce says:

“THERE YOU HAVE IT. My legacy. Daughter of a master storyteller—for whom allegiance to the truth took second position after reverence for good drama—I took to heart the lessons of two stories told to me when I was very young. One was of the princess locked in a room each night with a pile of straw, instructed to spin it into gold. That was what a writer had to do, I knew: Study a pile of dry sticks and grass, and figure out a way to make it glittering and precious. But the legend I loved even more came from Arabian Nights. It concerned Scheherazade, a young woman condemned to death, who kept a man from killing her by telling him a new and irresistible story every night. Spinning a tale well, I figured, could actually save a person’s life. Possibly mine.”

Throughout the article, phrases spring out to grip the throat of the reader, forcing one’s full attention to the detail given in spare, sharp words. Hers is an example of living without adverbs, of allowing the story to be about character while placing them on a train called “story line” and taken for a ride to allow the reader to see the characters from all sides. Her sentences flow into one another with such ease of statement that one is seldom aware of individual bits of punctuation, while the words place vivid images into the mind without effort.

Maynard explains: “But I learned more than craft under my mother’s ceaseless tutelage. She instructed me in the essence of what well-told stories are meant to accomplish—the idea that the joy of writing well might actually redeem and even trump the raw material of painful experience, thereby revealing deeply meaningful truths to the reader. Days when I’d come home from school, upset by some injustice or the hurtful behavior of a friend, my mother’s words of consolation seldom varied. “Never mind,” she said. “You can always write about it.”

Along with John Jakes article, Maynard’s example of what’s important to any kind of writing will have a special place in my new reference notebook. Take an opportunity to read these articles for yourself. You can find them at:

The Writer Magazine: http://www.writermag.com/en/The%20Magazine/Current%20Issue.aspx

Canteen Magazine: http://www.canteenmag.com/posts/joyce-maynard

And if you happen to come across others that are of special note, drop the link in a comment here for everyone to share.

Happy reading, all, and happy learning. A bientot,

Claudsy

Family Histories on the Side

May 21, 2012 Leave a comment
The raw satellite imagery shown in these image...

The raw satellite imagery shown in these images was obtain from NASA and/or the US Geological Survey. Post-processing and production by www.terraprints.com (Photo credit: Wikipedia)

Taking a day away from usual activities helps to restore a semblance of order to one’s life. Perspective is gained. Appreciation is elevated. New knowledge filters through the mind to lodge in memories.

Yesterday was a day of exploration into places unknown and challenging facts known. For me, it was also a time to take away snippets of useful information; the kind used in a twisted kind of way for story elements and character development. Those are the kind of relaxed and fun days that begin with one purpose and turn out as gold mines. Also, the experience felt much like going home to my dad’s family for the day.

We met up with friends, Sister’s distant cousins, in a small-town restaurant about an hour south of our locale. We had a nice lunch before heading south again to their home in an even smaller town. Our entire purpose for going on this jaunt was so that Sister could shoot the eclipse in an area where she could get good water-reflection shots.

During our scouting adventure, I was taken to places I’d never seen before; places that had escaped my notice when I’d lived in the area twenty years ago. As well, the cousins constantly pointed out places that related to their family histories.

“So and so built that ranch. Who is the latest owner, honey?” Cousin #2 asked as she pointed to the left to a grouping of buildings amid lush pastures. “The original barn’s gone now, of course.”

Gravel roads, dust flying from under the wheels of passing ranch trucks and cars, we made our way from reservoir to reservoir; each with points of interest. On the first we found swans that had been introduced to the waterways. The second, though smaller, was far more serene, more relaxing. Native ducks, muskrats, gulls, all played in the placid water. Further into the hills, we found rock chucks guarding their homes and new calves cavorting among adults.

MacDonald Lake

At last we wound through forested hills up to MacDonald Lake, nestled in the Mission Range; a smaller lake than it used to be, only because it isn’t allowed to fill up the way it used to years ago. The deep teal, crystalline waters, surrounded by pine-covered slopes, beckoned to us. Trails radiated from its sides for the explorer who would challenge grizzlies in the area for prime fishing spots.

From the south-end approach I could only envision one scenario. I saw a scene straight out of Lord of the Rings; the one where the intrepid questers canoed toward their mountain peak destination, along the length of a deep lake with darkly-treed slopes on either side. Magic sparkled before my eyes. I was, in that short moment, transported into a movie about a magical place occupied by hobbits and elves and all things mythical.

When we finally came back to the valley floor, our hosts took us to see the old family homestead.

“Let’s see if they’ve moved the herd out into the front grazing, honey?” our tour guide says as we moved down a gravel road. “When I was by yesterday, the pasture was high and needed to be grazed already.”

And so our indoctrination into family history continued. Ours was a calm adventure made up of laughing memories, local scenery, and points of family interest. All of which came under clouded skies that would never allow for shots of the eclipse, regardless of the camera equipment brought to bear.

A late supper and long drive home left us drained. Bedtime hadn’t looked that far away since our last distant drive at night. Rain followed us as we snaked our way along Highway 93 north along the west shore of Flathead Lake.

I came away with so many impressions to sprinkle here and there amid stories. There were subjects to research later for short essays. And along the way, I captured bits and pieces of personal revelation that will color my days for months. Because their personal histories have been shared so freely, they’ve allowed me to be included in their future histories. That has potential as a special privilege.

I wish everyone could have such a day as mine yesterday. When you have one, take away all that you can from it. Enjoy the uniqueness of it and make it your own. Have a great week all.

A bientot,

Claudsy

How We Make Choices

May 20, 2012 4 comments
choice and context

choice and context (Photo credit: Will Lion)

Writers are dead in the water without the internet in the current publishing environment. Everything concerning the writing business is online, including, but not confined to, publishing houses, editor and other manuscript related services, promotional company services, writers-for-hire and their job sites, and the list goes on.

How do we make choices for those projects that need a market?

Not including newsletters, I receive market listings from several sources each week. Within each of those sources are seemingly countless markets looking for stories, articles, poetry, essays, etc. One listing alone can take up a single day of reading, speculating, and planning for future projects, which require note-taking.

At the end of that day, the original question stands unanswered and has bred a new one. What criteria will be used to eliminate choices?

Here’s an example. I have a finished piece entitled “A Teacher of Spirit,” which is multi-dimensional. It contains: memoir, children’s, inspiration, and instruction. That gives me four potential primary areas to search for markets.

  1. I plug in to the mass market magazine listings first. I want to see if I can find a paying market that will make my time worthwhile. On any given day, there will be at least five markets that accept inspiration pieces, unsolicited, and with less than a three month response time. Those factors are critical to me. I write down the particulars, as well as the differences between publications’ needs.
  2. I move on to children’s magazines. I scan those names I know well to check for current needs or upcoming themes. I find two that might be successful submissions. As with my previous search, I note the publications, their needs, wants, themes, etc. I also note which ones I could do similar pieces for with different slants. I might be able to rework this essay to fit a different magazine.
  3. Moving on to instructional/parenting magazines, I find three that could work if I make a few changes in the essay’s approach and emphasis. That could do well. I haven’t published in that area before. This market could answer for both the instructional aspects as well as inspirational aspects. I could do a simultaneous submission with these and a slightly shifted version of the essay.
  4. I repeat the entire process for those publications of the literary persuasion. This takes longer simply because there looks to be an endless stream of literary magazines of various circulation sizes. Here I come up with dozens of possibilities.
  5. The initial sorting steps leave me with a long list that needs prioritizing. Ranking markets from greatest chance for success to the lowest takes time, but that time is lessened with every use of the process. The more experience a writer has looking through possible markets, the more easily the sorting and prioritizing becomes.
  6. The resulting “Chances” list gives me plenty of potential. There are two excellent possibilities in the Inspirational column where I can send an original version of the essay. I choose the top three from the Literary column. I can send simultaneous submissions to those and the essay revised to reflect a different angle. Two choices come from the Children’s column for submissions that require tweaking for content needed by the individual magazine. All three from the Instructional/parenting column can be sent tweaked versions.

Once all of those choices are made, I can move on to separating out those essay copies that will go as is. Each publication gets its own query letter/cover letter, according to that magazine’s guidelines. (Doing a careful study of the guidelines is essential.)

As soon as those submissions are on their way to potential new homes, I tackle the next group of newly slanted versions, and so on to repeat the selection process.

Finding the markets is simple compared to preparing different versions of the same essay for multiple audiences and magazine needs. Getting the balance right can be difficult and time consuming. The upshot is that I learn more about writing and its needs with each round of choices I make. That’s a plus that I can take to the bank.

It isn’t uncommon to spend two or three days on this process if six or more markets are approached. Like all writers, I have other things on my editorial calendar than submitting articles or stories. I allow specific time for this task on that calendar, now more than ever before. It has as much importance as writing, more than blogging, and slightly more than social media.

Hopefully, this look at my marketing and submission process helps someone else.

That’s all for now, folks. Below are links to various marketing resources. Explore them for yourselves.

A bientot,

Claudsy

Marketing Resources:

 Duotrope will take you to a lovely little site with big impact. Many writers rely on this source for finding new markets, and keeping up on those online markets that are no long viable.
Sharing with Writers http://sharingwithwriters.blogspot.com/ has all sorts of industry info, including markets to watch.

Poets and Writers Magazine which has a free online sign-up that can get you hooked up with many market listings, including those for contests, grants, fellowships, agents, etc.

The Writer Magazine and it too has a free newsletter, plus market listings for publications, agents, etc. This is a marvelous site with all sorts of cool info.

The home of Writer’s Digest also has a free newsletter, market listings, writer communities and lots more.

Happy to be Sad

May 19, 2012 6 comments
Writers Museum

Writers Museum (Photo credit: estorde)

For the past few weeks I’ve been part of a group that started out calling itself SAD (Submission A Day.) The name has since changed to J2BL. Strange, isn’t it?

The point was for each member to submit a piece of work each day, to always strive toward publication in whatever venue desired. We have member writers of all sorts, and we’ve had great success in our latest endeavor. We recognize that some cannot manage that kind of time table and it’s okay that they only submit once a week, a month, or whenever they can.

We cheer each other on, congratulating the member for each submission, and cheering but supporting when a rejection comes in, because it means that the writer sent something out, took a chance, and is willing to do so again. (We’ve decided to use rejection slips as wallpaper in our office areas to stimulate new growth in our craft.)

We share resources, new venues and their needs, successes (that’s when we celebrate), and all other aspects of this industry we love and can’t live without. Along the way, we help each other. Ours isn’t a competition. It’s more a team effort where each team player is given whatever is needed to succeed. When a member gets an acceptance notification from a publication, it validates all of the members.

In the past week or so, our efforts have steadily come climbed into the higher acceptance zone, which gives everyone a boost in morale. Sure there are still rejections. Those will never go away, and I’ve received my fair share since we started the group. That hasn’t and won’t change.

What has changed is an attitude toward the entire submission process. Whether we’re talking poetry or prose, letting go of a finished piece is never easy for many writers. Each piece is a child. The writer knows, that for that child to be appreciated fully, it must be allowed to roam the outside world. The submission segment of the writing process, for the writer, amounts to putting her small, innocent baby onto the school bus for the first time.

Once the writer has made a habit of seeing a baby onto the school bus often enough, the need to hold onto a piece is broken. And this habit is what J2BL is all about. This is a mechanism to create a submissions habit.

If the past few weeks indicate nothing else, it shows us that we can work as a team to see to the success of each member; to support each other with resources, confidence, and camaraderie. In a world where the term “It’s every man for himself” rings through the streets, our method seems so much better.

I hope for a time when everyone can call such a group their own, to experience the unique closeness of our group, most of whom have never met face to face. I hope that everyone can have someone in their corner, cheering them on, and patting their shoulders when success isn’t instantaneous. Most of all, I hope that everyone learns that life doesn’t have to be a competition, with winners and losers.

This last week, I’ve submitted poetry, essays, and short stories. Today more poetry will go out. I’ve had a short story accepted, and not heart yet on the others. Editor response times vary greatly. Tomorrow I’ll send out something else. Online submissions allow for any day, any time. And for the first time, I’m enjoying the process and the pace. That’s saying something for a writer.

Have a great weekend, all. Relax, if you can. Laugh and enjoy the people you’re with. A bientot,

Claudsy

Fan Fiction or Fun Pastime?

May 18, 2012 30 comments
The Star Trek fanzine Spockanalia contained th...

The Star Trek fanzine Spockanalia contained the first fan fiction in the modern sense of the term. (Photo credit: Wikipedia)

An entire genre has developed itself over the past 40 years or so. Ever since the original Star Trek warped through space, we’ve toyed with the idea of all those stories that never got written about the characters that intrigued us, who captured out respect and hearts. The movement became known as Fan Fiction.

I doubt any serious TV viewer has passed up an opportunity to fantasize about what would happen if… and brought the conjecture back into the series fold as a full-blown story, whether it was written down or not. I’ve done it for years—had whole scripts with good plots, great characters, and even parts for all the regular characters. And the sad thing is that I could have done something with them, if only as fan fiction and not sent the script to the studio for consideration by that series’ team of writers.

It’s one of those “I should have” things that many of us live with on a daily basis. “I should have” gone to see… “I should have” known better than… Truth is, I had a girlfriend back in ’67 when I lived in LA, who’d just sold her script to Desilu Studios for a Star Trek episode. The day after she got word, she was murdered two blocks from our building. The incident sort of put me off Fan Fiction for a while.

Last year I sat down to write poetry of a minor competition—there were no prizes involved, but critiques. My piece didn’t do very well. The audience was too young. That happens more frequently than older writers want to believe.

I still have the poem, which I’ll share here in a moment. I went back through it and changed a few things here and there. It leaped out of the hard drive this morning, screaming at me to find it a home. Since I don’t have any markets (that I can find), I decided to drop it here in order to create a challenge for those who’re up for it.

Everyone has/had a favorite show from their childhood. Now’s your chance to create a little fan fiction to commemorate that show. Write a story in 200 words or less using your favorite character from that show. Or write a poem about said character in a new situation. Recapture the heart of the character and share it here with us.

There’s no prize involved; no judging either. We are merely sharing bits of imagination for the fun of it. Be sure to inform us at the end of the piece the name of the show and the character’s name if you haven’t used it in your story. That’s all there is too it. Don’t be shy. Branch out and explore some fun. I can hardly wait to see what everyone comes up with.

Here’s my poem and how I approached my character from those long ago days of the 60’s,

 

Remembering Past Trails

 

He ambled toward the pioneer wagon,

His body sinew-lean, gently rocking.

Crevasses furrowed his weathered face,

Aging him—crinkling blue eyes and tightening lips.

 

Suspense rose with the background music

As one gloved finger tapped his hat brim.

He posed no menace in this traveler’s guise,

Yet his eyes told of his struggles with it.

 

His voice stayed low and warm when asking

For water, even as his glance saw all in view.

He gave news of trouble, possibly in days to come

From those who would steal and rip the land asunder.

 

When thirsting horse and man had quenched their need,

The lean stranger–gun on hip, whip on saddle–mounted.

His mission complete for now, another family warned.

Next week would come more trouble for a man named Rowdy.

 Fan Fiction for a little series known far and wide as “RAWHIDE”.

Bring you chairs and wait for the show. I’m so looking forward to watching the coming attractions. Now’s your change to break out. Take it.

Claudsy

Observations of a Modern Day Ancient: Saga of "As the Arrow Breaks"

May 17, 2012 Leave a comment

Reblogged from Through the Eyes of Meena Rose:

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Jackson’s Hole, WY

Today, it is my privilege to introduce you to Claudette Young. She is an accomplished sociologist, writer, poet, and philosopher. Over the years that I have gotten to know her, I have concluded that she is indeed a modern day ancient.

A modern day ancient is anyone living in the present who can look upon their daily interactions while detaching themselves from the moment to reflect it against a simpler and more glorious time for mankind.

Read more… 709 more words

WooHoo! It was an experience to remember.
Categories: Uncategorized

Meena Rose On the Air

May 17, 2012 52 comments

Once upon a time I met a young, shy woman named Meena Rose. She’d come onto the Institute of Children’s Literature’s Writer’s Retreat to join our merry band of word workers. It took less than a half dozen visits for her to become a favorite attendee. Her wisdom belied her youth. Her perception and insight startled many of us who’d lived twice as long. And her gentleness melted our hearts.

I give you Meena Rose, who will surprise those who don’t as yet know her and who will bring smiles to those who already love her. Take it away, Meena.

 

Have you ever slowed down your train of thought?

Meena–A Desert Rose

By: Meena Rose

It just so happened that I was asking myself that very question a few days ago. I was curious what my thoughts would be on a topic if it was delivered in freeze frame segments to my mind. Would I reach the same reaction in the end or would it be different for having slowed down the input and the reaction to it?

There really was only one way to find out. It was to put the idea to the test and have a voice recorder on standby to record my immediate impressions before they faded. Since I normally neither watch nor listen to the news, I decided to select the first full story that I would tune into. Without further ado, here are the results. I will relay the segments and then reconstruct the story at the end.

Newscaster: This is about a little boy

Meena: Ummm, and, so?

 Newscaster: Who ran

Meena: Really, where?

 Newscaster: Into the street

Meena: Irresponsible parents, silly boy, will they ever learn. <I am feeling very agitated and angry>

 Newscaster: In front of oncoming traffic

Meena: This does not bode well. <My gut actually heaved and I felt myself tense up>

 Newscaster: Escaping from

Meena: Oh no, I am so sorry little boy. I hope you are safe. I am sorry for judging your parents too. <My arms get goosebumps>

 Newscaster: His father who was

Meena: I knew it. You were just like all the little kids who escape the grips of their parents. <I am feeling flushed and angry again>

 Newscaster: Chasing him with a knife.

Meena: Oh, no! Dear God, no! I am SO SO sorry kid. You should never have had to deal with that. Your dad is a monster you did not deserve. Please be alright kid, please be alright. .

 Newscaster: A bystander

Meena: The story is not over? Please let it end well

 Newscaster: Tackled the father

Meena: Yes! Yes! Oh wait, what about the boy? What about the boy? Don’t keep me waiting. 

 Newscaster: While another bystander

Meena: Please help the boy! Please!

 Newscaster: Pulled the boy

Meena: And?!? Hurry up!!

 Newscaster: To safety.

Meena: Yes! Yes! Kid, I am glad you are safe! <My knees feel like jello and I am breathing fast>

To be honest, my mind shut down after that. It did not want to hear any more. I had had enough. Promptly, I turned off the TV set and sat in a broody silence. For once, I understood why I can’t bear to hear the news. Being jerked around emotionally from the extreme heights of expectation to deep valleys of despair within the blink of an eye is really not my cup of tea.

However, I am this way when I read fiction as well. My mind will parse, process, analyze and react to the story in segments which I am certain the author had not anticipated. They do not obey the basic rules of punctuation. I am so riveted to the book and the adrenalin rush reading  generates that I lose myself in time.

One time I had read for 5 hours straight. The sun had set and I was famished. I went to the bathroom instead and settled in for another 5 hour burst. That book just had to be finished in one day. I literally “wear” the POV character as a cape around my shoulders and walk a chapter in their shoes. It adds to the experiential rewards I receive from reading.

There are times when I have been so angered by a story that I have flung the book clear across the room and relished in hearing the “crack” resulting from the spine hitting the wall. Once, I have cooled down, I would get up and pick the book up, apologize to it and start reading it again as though no violence had transpired.

There are other times when I have been so moved to tears that I cried openly without bothering for a tissue to dab at my eyes. Those books have tear stains upon their pages, marring the perfect finish of the page.

There are other times when I had been so terrified that I would hide the book away from sight and make a pact to only read it during the daylight with many hours separating the reading and sleep. Let us not forget about laughter, joy, peace and love; all equally powerful.

I developed a term for this reaction. I call it Enhanced Experiential Engagement (EEE).

There is something to be said for allowing the train of thought to cruise at its normal pace. I wonder if it mercifully collects large enough nuggets of information to spare us the highs and lows in our unending assessment of the world around us.

Or, do we still go through the highs and lows without dwelling on them for too long, thereby nullifying the effect? Are we better off perceiving the world in an EEE way? Or, are we better off without the notion of EEE?

Here is the story I heard:

“This is about a little boy who ran into the street in front of oncoming traffic, escaping from his father who was chasing him with a knife. A bystander tackled the father while another bystander pulled the boy to safety.”

How did you react? Did you slow down your train of thought? Did you have an EEE? Describe your reactions upon reading the story.

Bio

Meena Rose is a multi-lingual world traveler and transplanted Oregonian; a mother of three children (one boy and two girls) who works as an analyst by day, promoting creativity through writing, storytelling, and role playing wherever she goes.

Catch a glimpse of this lovely lady each day on her website, “Through the Eyes of Meena Rose” at: http://meenarose.wordpress.com/

With each day’s offering, you’ll discover more depth than you might imagine.

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