How We Make Choices
Writers are dead in the water without the internet in the current publishing environment. Everything concerning the writing business is online, including, but not confined to, publishing houses, editor and other manuscript related services, promotional company services, writers-for-hire and their job sites, and the list goes on.
How do we make choices for those projects that need a market?
Not including newsletters, I receive market listings from several sources each week. Within each of those sources are seemingly countless markets looking for stories, articles, poetry, essays, etc. One listing alone can take up a single day of reading, speculating, and planning for future projects, which require note-taking.
At the end of that day, the original question stands unanswered and has bred a new one. What criteria will be used to eliminate choices?
Here’s an example. I have a finished piece entitled “A Teacher of Spirit,” which is multi-dimensional. It contains: memoir, children’s, inspiration, and instruction. That gives me four potential primary areas to search for markets.
- I plug in to the mass market magazine listings first. I want to see if I can find a paying market that will make my time worthwhile. On any given day, there will be at least five markets that accept inspiration pieces, unsolicited, and with less than a three month response time. Those factors are critical to me. I write down the particulars, as well as the differences between publications’ needs.
- I move on to children’s magazines. I scan those names I know well to check for current needs or upcoming themes. I find two that might be successful submissions. As with my previous search, I note the publications, their needs, wants, themes, etc. I also note which ones I could do similar pieces for with different slants. I might be able to rework this essay to fit a different magazine.
- Moving on to instructional/parenting magazines, I find three that could work if I make a few changes in the essay’s approach and emphasis. That could do well. I haven’t published in that area before. This market could answer for both the instructional aspects as well as inspirational aspects. I could do a simultaneous submission with these and a slightly shifted version of the essay.
- I repeat the entire process for those publications of the literary persuasion. This takes longer simply because there looks to be an endless stream of literary magazines of various circulation sizes. Here I come up with dozens of possibilities.
- The initial sorting steps leave me with a long list that needs prioritizing. Ranking markets from greatest chance for success to the lowest takes time, but that time is lessened with every use of the process. The more experience a writer has looking through possible markets, the more easily the sorting and prioritizing becomes.
- The resulting “Chances” list gives me plenty of potential. There are two excellent possibilities in the Inspirational column where I can send an original version of the essay. I choose the top three from the Literary column. I can send simultaneous submissions to those and the essay revised to reflect a different angle. Two choices come from the Children’s column for submissions that require tweaking for content needed by the individual magazine. All three from the Instructional/parenting column can be sent tweaked versions.
Once all of those choices are made, I can move on to separating out those essay copies that will go as is. Each publication gets its own query letter/cover letter, according to that magazine’s guidelines. (Doing a careful study of the guidelines is essential.)
As soon as those submissions are on their way to potential new homes, I tackle the next group of newly slanted versions, and so on to repeat the selection process.
Finding the markets is simple compared to preparing different versions of the same essay for multiple audiences and magazine needs. Getting the balance right can be difficult and time consuming. The upshot is that I learn more about writing and its needs with each round of choices I make. That’s a plus that I can take to the bank.
It isn’t uncommon to spend two or three days on this process if six or more markets are approached. Like all writers, I have other things on my editorial calendar than submitting articles or stories. I allow specific time for this task on that calendar, now more than ever before. It has as much importance as writing, more than blogging, and slightly more than social media.
Hopefully, this look at my marketing and submission process helps someone else.
That’s all for now, folks. Below are links to various marketing resources. Explore them for yourselves.
A bientot,
Claudsy
Marketing Resources:
Duotrope will take you to a lovely little site with big impact. Many writers rely on this source for finding new markets, and keeping up on those online markets that are no long viable.
Sharing with Writers http://sharingwithwriters.blogspot.com/ has all sorts of industry info, including markets to watch.
Poets and Writers Magazine which has a free online sign-up that can get you hooked up with many market listings, including those for contests, grants, fellowships, agents, etc.
The Writer Magazine and it too has a free newsletter, plus market listings for publications, agents, etc. This is a marvelous site with all sorts of cool info.
The home of Writer’s Digest also has a free newsletter, market listings, writer communities and lots more.
Related articles
- Tips and Markets for Personal Essays (creativityorcrazy.wordpress.com)
- Resources for Aspiring Fiction Authors: How To Get Published (tinaannforkner.wordpress.com)
- Whether You Already Have an Angle or Not (claudsy.wordpress.com)
- The Writer Magazine Online – Free Access to All Sections (barbaratyler.wordpress.com)
- Market, Submissions Guidelines and Contest Deadlines for March 2012 (keikihendrix.com)
Happy to be Sad
For the past few weeks I’ve been part of a group that started out calling itself SAD (Submission A Day.) The name has since changed to J2BL. Strange, isn’t it?
The point was for each member to submit a piece of work each day, to always strive toward publication in whatever venue desired. We have member writers of all sorts, and we’ve had great success in our latest endeavor. We recognize that some cannot manage that kind of time table and it’s okay that they only submit once a week, a month, or whenever they can.
We cheer each other on, congratulating the member for each submission, and cheering but supporting when a rejection comes in, because it means that the writer sent something out, took a chance, and is willing to do so again. (We’ve decided to use rejection slips as wallpaper in our office areas to stimulate new growth in our craft.)
We share resources, new venues and their needs, successes (that’s when we celebrate), and all other aspects of this industry we love and can’t live without. Along the way, we help each other. Ours isn’t a competition. It’s more a team effort where each team player is given whatever is needed to succeed. When a member gets an acceptance notification from a publication, it validates all of the members.
In the past week or so, our efforts have steadily come climbed into the higher acceptance zone, which gives everyone a boost in morale. Sure there are still rejections. Those will never go away, and I’ve received my fair share since we started the group. That hasn’t and won’t change.
What has changed is an attitude toward the entire submission process. Whether we’re talking poetry or prose, letting go of a finished piece is never easy for many writers. Each piece is a child. The writer knows, that for that child to be appreciated fully, it must be allowed to roam the outside world. The submission segment of the writing process, for the writer, amounts to putting her small, innocent baby onto the school bus for the first time.
Once the writer has made a habit of seeing a baby onto the school bus often enough, the need to hold onto a piece is broken. And this habit is what J2BL is all about. This is a mechanism to create a submissions habit.
If the past few weeks indicate nothing else, it shows us that we can work as a team to see to the success of each member; to support each other with resources, confidence, and camaraderie. In a world where the term “It’s every man for himself” rings through the streets, our method seems so much better.
I hope for a time when everyone can call such a group their own, to experience the unique closeness of our group, most of whom have never met face to face. I hope that everyone can have someone in their corner, cheering them on, and patting their shoulders when success isn’t instantaneous. Most of all, I hope that everyone learns that life doesn’t have to be a competition, with winners and losers.
This last week, I’ve submitted poetry, essays, and short stories. Today more poetry will go out. I’ve had a short story accepted, and not heart yet on the others. Editor response times vary greatly. Tomorrow I’ll send out something else. Online submissions allow for any day, any time. And for the first time, I’m enjoying the process and the pace. That’s saying something for a writer.
Have a great weekend, all. Relax, if you can. Laugh and enjoy the people you’re with. A bientot,
Claudsy
Observations of a Modern Day Ancient: Saga of "As the Arrow Breaks"
Reblogged from Through the Eyes of Meena Rose:
Jackson’s Hole, WY
Today, it is my privilege to introduce you to Claudette Young. She is an accomplished sociologist, writer, poet, and philosopher. Over the years that I have gotten to know her, I have concluded that she is indeed a modern day ancient.
A modern day ancient is anyone living in the present who can look upon their daily interactions while detaching themselves from the moment to reflect it against a simpler and more glorious time for mankind.











Readers On Claudsy